Another winner from CSO-Resound

From November 11, 2014:

Some of the best recordings that have come my way recently are from new orchestra-based labels. Seattle Symphony Media's track record has been outstanding, and this fourth release from the Chicago Symphony's CSO-Resound label follows superlative releases as well, most notably of music by composers in residence Mason Bates and Anna Clyne - Riccardo Muti Conducts Mason Bates and Anna Clyne. This Prokofiev disc is an all-around winner: a strongly-played live recording with lots of energy. It includes a suite of 10 movements well chosen by Riccardo Muti from the ballet score for Romeo and Juliet. One of the coolest things about this project is the special relationship between the composer and the Chicago Symphony going back to 1917. Following commissions and performances from Chicago over a good part of his career, Prokofiev presented the North American premiere of Romeo and Juliet music with the Chicago Symphony in 1937. It's encouraging to see that while the CSO moves ahead in the 21st century with new music and distribution channels, it is also aware of its strong heritage and history.

Have fun with this toy at home

From February 25, 2010:

I found Phillip Huscher's interview with conductor Pierre Boulez, included in the booklet of this new CD on the Chicago Symphony's CSO Resound label, to be very illuminating. Boulez isn't at all shy about expressing his dislike for Stravinsky's neo-classical music, but he makes an exception for a work written in 1919. "Pulcinella is a different matter," he says, "because Pulcinella is a game." If so, this is a game that Boulez and his outstanding musicians play better than anyone. Recorded live at Chicago's Symphony Center exactly one year ago (February & March, 2009), this music just about jumps off the disc, it's so alive, so life-like, so real. Boulez and his crew have a number of advantages. First of all, they're recording the complete score of the ballet, rather than the better-known suite. Secondly, the music is recorded live over a number of performances, so we have the best combination of being-at-the-concert excitement and technical perfection. And thirdly, the producer, engineer, and post-production staff have assembled an amazingly life-like sound world on the hybrid SACD disc. "Pulcinella is a work I like to conduct, because it's like a toy within your hands" says Boulez. Listening to this disc in a good surround-sound setup is like playing with that toy at home. [Figures sold separately].

I've focused on Pulcinella, which I love, and which takes up the bulk of this disc. But I'm just as impressed with the 1945 Symphony in Three Movements and the 1929 orchestral arrangement of the Four Etudes. This is very highly recommended!