Remastered classics

Chopin: Ballades, Scherzo, Polonaise, Impromptu, Nocturne, Waltz, Mazurka

This new disc from IDIS includes the early studio recordings of Philippe Entremont playing Chopin, from a Concert Hall/Musical Masterpiece Society 10" LP from 1955, and the famous Columbia Masterworks Ballades LP from 1959.




Entremont was a true prodigy, growing up in a musical family, and his early brilliance is on display in this music, recorded when he had just turned 21, and later, when he was 25. Just last month Sony released a 34 CD set of Entremont's complete solo recordings, but I don't think there is more perfect pianism on display than in these four Ballades.

Philippe Entremont with his family (complete with dog). Manuel Litran, Paris, 1955

Exactly fifty years after he recorded the Ballades, in July of 2009, Philippe Entremont played them at a concert in New York. Here's the third Ballade, which naturally has a valedictory quality that the impetuous original lacked. I've quoted this passage from André Gide's Notes on Chopin before; I think it's very much relevant here:

Each modulation in Chopin, never trivial and foreseen, must respect, must preserve that freshness, that emotion which almost fears the surging up of the new, that secret of wonderment to which the adventurous soul exposes itself along paths not blazed in advance, where the landscape reveals itself only gradually.

This is Chopin playing that's fresh and alive, and the 2019 remastering by Danilo Prefumo preserves an important document of mid-20th century artistry.




This album will be released on August 23, 2019.

A powerful message of defiance

Beethoven: Missa Solemnis, op. 123

Toscanini recorded the Missa Solemnis four times: there's a commercial recording that RCA made in 1953, a BBC recording from 1939, and an earlier broadcast from 1935. But the consensus pick for the best is this one, made in New York for radio broadcast on December 28, 1940. There's some outstanding singing here, especially from tenor Jussi Björling and bass Alexander Kipnis. The female voices and the choir haven't been universally praised, but in spite of some flaws I found the drama of this work absolutely gripping. So much of the credit for this goes, of course, to the Maestro at the podium. He's given reasonably good sound considering the vintage and the circumstances, though there are certainly balance issues and some sections when the sound is more than slightly muddy. But even then one feels Toscanini's humanistic ethos, delivered with a visceral excitement, what Russell Platt referred to as "the moral ferocity of Toscanini’s aesthetic". This is a defiant message to the monsters of Fascism he had left behind in Europe, and the message can be heard (and, sadly, still has to be heard) just as strongly today.

Though he isn't mentioned in connection with this IDIS re-issue, which uses a clean and (mostly) clear digital re-mastering made in Milan in 2001, we are indebted to RCA recording engineer Robert Hupka for the preservation of this and so many other Toscanini recordings from the war years. Hupka is also known for the photographs he took of the Maestro during this period. The mesmerizing look which brought such powerful results from his musicians more than 75 years ago connects with us like a laser today, in this, the 150th year since Toscanini's birth. This disc will be released on November 3, 2017.