Reviews and occasional notes on classical music

Reviews and occasional notes on classical music

"Music, both vocall and instrumental, so good, so delectable, so rare, so admirable, so super excellent, that it did even ravish and stupifie all those strangers that never heard the like." - Thomas Coryat, after hearing 3 hours of music at the Scuola di San Rocco in Venice, 1608.

Wednesday, March 22, 2017

Two great works played with energy & drive

This Chandos CD is Andrew Davis's second recording of the coupling of Job and the 9th Symphony, which he recorded with the BBC Symphony in the early 1990s as part of his complete symphonies set for Teldec. In the new disc, Andrew Davis appears with the Bergen Philharmonic Orchestra, pinch hitting for the late Richard Hickox to allow Chandos to finish off a complete Vaughan Williams series. These are both great works. The ballet Job has, according to Michael Kennedy, "the stature and cohesion of a symphony', its 1930 date of composition placing it between the three early symphonies and the three middle ones. The Ninth Symphony was completed just a few months before Vaughan Williams' death; I've always been baffled by the questions about its merits. Perhaps the critics were expecting something else when it was premiered in 1958, but this has always sounded to me just like what it is: a work of great power and complexity.

In February 2014 Jonathan Swain surveyed the available Vaughan Williams 9th Symphony recordings for BBC Radio3's CD Review; you can listen to that program here. Of course this was before the present disc was available, and Vernon Handley's version is Swain's top choice. He likes the first Andrew Davis recording, but wishes he could talk instead about Davis's performance with the BBC SO at the 2008 Proms, on the occasion of the 50th anniversary of VW's death. Swain feels Davis's conception of the work has changed, and grown: "it was all gain," he says. I'm thinking he would like the new version very much; he thinks that "energy, drive and brilliance of tone" are vital in this music, and I agree. The Chandos recording, helped by amazing sound (I would have loved to hear the surround sound version), has that in abundance. Davis brings tons of energy to this performance, and the Bergen players come through with flying colours. Speaking of players, the saxophones & flugelhorn shine here. This goes for Job as well, whose incidents are as vivid and sharply described as an Annie Leibowitz photograph. The effect of the organ in the Sixth Scene "A Vision of Satan" (which is dubbed in from a recording of the Rieger organ in the Domkirken, Bergen) is astounding.

Here's Sir Andrew Davis re-conducting his own work, listening on headphones in the studio. You know you want to do the same thing: go for it!

No comments:

Post a Comment