Reviews and occasional notes on classical music

Reviews and occasional notes on classical music

"Music, both vocall and instrumental, so good, so delectable, so rare, so admirable, so super excellent, that it did even ravish and stupifie all those strangers that never heard the like." - Thomas Coryat, after hearing 3 hours of music at the Scuola di San Rocco in Venice, 1608.

Sunday, April 9, 2017

Fine Mozart from a superb Swiss violinist

Aida Stucki, Mozart, The Violin Concertos

Aida Stucki, the Swiss violinist who lived from 1921 to 2011, was an unfamiliar name to me, but the tribute from Anne-Sophie Mutter on the album cover caught my eye: "My remarkable teacher has been a lifelong inspiration to me." This, of course, raises expectations, which I'm pleased to say were met and even exceeded. I love the Mozart violin sonatas, and there's a good selection of them (16 in all, from K. 296 to K. 547) on this six CD set. with sensitive accompaniment by Christopher Lieske. These are live recordings, from 1977. Stucki's tone is sweet and strong, and the violin-piano blend is very pleasant. I really enjoyed listening to this fabulous music, even four or five sonatas at a time.

It was the concertos that really impressed me, though. I admit that my high expectations didn't extend to the orchestral accompaniment, but there were no duds here, from the Zurich Radio Orchestra under a variety of conductors, the Ton-Studio Orchestra Stuttgart under Gustav Lund, the Lausanne Chamber Orchestra under Victor Desarzens and the Zurich Radio Orchestra under Pierre Colombo. All of these are also live radio recordings, and considering their vintage from the 1950s, they sound very good. Everything is subordinate, of course, to Stucki's generous sound, with superb intonation and a seemingly unending variety of tonal effects. One can marvel at Mozart's invention within a fairly narrow concerto construct that always remains fresh and new, but let's be honest, there are some Mozart violin concerto recordings that begin to sound routine after one or two movements. That never happens here, plus there are two bonuses. One is a more than standard version of the Sinfonia Concertante, one of the great Mozart middle-period works, with Hermann Friedrich playing up to Stucki's level. The other is the very odd and quite controversial 7th Violin Concerto, K. 271a. Stucki provides a strong case for the work, but I remain unconvinced about its authorship by Mozart. It's nevertheless a work that's worth a listen. Doremi has provided a real service by making these radio recordings available on disc and on MP3. I recommend them very highly.

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