Reviews and occasional notes on classical music

Reviews and occasional notes on classical music

For the past five years or so I've posted reviews of classical music CDs, DVDs and Blu-rays, in various places on the web: Amazon.com, iTunes and other sites. I'll collect those earlier reviews, and add four or five new ones every month.

"Music, both vocall and instrumental, so good, so delectable, so rare, so admirable, so super excellent, that it did even ravish and stupifie all those strangers that never heard the like." - Thomas Coryat, after hearing 3 hours of music at the Scuola di San Rocco in Venice, 1608.

Tuesday, April 18, 2017

The importance of being earnest


Groupings of independent artists are sometimes, or even usually, problematic, as artistic aims diverge or individuals leave or are added. The idea of grouping together Les Six, six French composers of the early 20th century, came from the critic Henri Collet, along with the name. The group was, at least initially, under the leadership of Jean Cocteau, and there were indeed always six and only ever six members: Darius Milhaud, Georges Auric, Arthur Honegger, Germaine Tailleferre, Francis Poulenc and Louis Durey. As a group they were more or less modernist if not entirely avant garde, working in an International Style that was much more French than German, and generally not wearing their hearts on their sleeves.

Milhaud, Auric (in Cocteau's portrait), Honegger, Tailleferre, Poulenc, Durey. Cocteau at the piano.
Photo: Boris Lipnitzki, 1931
From my limited exposure to Durey's music - these songs along with a few piano pieces and chamber works - I would say he's a born classicist, but with more interest in the avant garde and Cocteau's schemes than some other members of the group. He's a very serious fellow, though, without the obvious sense of humour of Poulenc or Auric. Durey was a communist, and he ended up more and more involved in left-wing politics to the detriment of his significant musical skills. Nearly all of his music that I've heard shares a common characteristic: earnestness. His setting of Grève de la Faim (Hunger Strike) by the Turkish poet Nazim Hikmet could hardly be otherwise, and nor could his two songs based on poems by Ho Chi Minh. Equally obvious, though, is their incredible beauty; I was completely bowled over. These songs are nearly all gems, with obvious beauties standing out right away, and others that reveal their fine qualities after a few listens. The musicians, led by pianist and Durey scholar Jocelyn Dueck, along with a team of very fine singers: baritones Jesse Blumberg and Sidney Outlaw, tenor William Burden and mezzo-soprano Adriana Zabala, make the best possible case for this enigmatic composer, who is perhaps to be valued much higher than he is presently.

This recording, the result of a successful crowd-funding campaign, is due to be released on May 26, 2017.


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