Reviews and occasional notes on classical music

Reviews and occasional notes on classical music

"Music, both vocall and instrumental, so good, so delectable, so rare, so admirable, so super excellent, that it did even ravish and stupifie all those strangers that never heard the like." - Thomas Coryat, after hearing 3 hours of music at the Scuola di San Rocco in Venice, 1608.

Wednesday, September 6, 2017

Music of awakening sensibilities

Dresden: Chamber music by Califano, Fasch, Heinichen, Lotti, Quantz, Telemann, Vivaldi

Zefiro's very fine oboe and bassoon players come to the fore again in this album of chamber music from the Dresden court of Friedrich August I around 1720. Music in the Italian style at this stage in musical history meant virtuosity, yes, but more importantly expressiveness and sparkle. These are highly entertaining sonatas, trio sonatas and quartets, which occasionally attain something close to the profound, especially in works by Georg Philipp Telemann and Johann Friedrich Fasch.  This music from these two fine composers stands out from any hint of background court music as routine elevator music. Don't think of the lounge pianist playing under sightly drunken conversations and waiters dropping trays, but rather Bill Evans' Trio playing Live At the Village Vanguard, with a mainly rapt, largely musically engaged audience. There's a sense of awakening sensibilities that moves toward the pre-Romantic Sturm und Drang movement later in the century. The stylish playing is a sign of Alfredo Bernardino's group's completely secure Historically Informed Performance tradition. Having singled out the playing of the winds, I should not forget to praise the excellent continuo players, who provide solid support with the occasional sparkling, and historically informed, insertion of their own.

This album is due to be released on October 20, 2017.

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