Reviews and occasional notes on classical music

Reviews and occasional notes on classical music

"Music, both vocall and instrumental, so good, so delectable, so rare, so admirable, so super excellent, that it did even ravish and stupifie all those strangers that never heard the like." - Thomas Coryat, after hearing 3 hours of music at the Scuola di San Rocco in Venice, 1608.

Tuesday, March 26, 2019

A recipe for good listening (not Fake)


Pietro Gnocchi: Sonate a tre

In his entry on "Spoof Articles" in the New Grove Dictionary of Music and Musicians, David Fallows uses Don Pietro Gnocchi (1689-1775) as an example of someone who makes these kind of hoaxes superfluous, because his life and works are so bizarre.
There are plenty of bona fide musicians whose names and lives look like outrageous fiction. One need only mention Gnocchi, who became maestro di cappella at Brescia Cathedral at the age of 85, composed a Magnificat entitled ‘Il capo di buona speranza’ (alongside many other works with improbable titles) and wrote an unpublished 25-volume history of ancient Greek colonies in the East (the long MGG article even includes a suitably lugubrious portrait). 
When Brixia Musicalis performed this music at the 2005 Festival delle Nuove Settimane Barocche Di Brescia (Gnocchi's home-town) it was the first time it had been heard since Gnocchi's lifetime. This is, alas, not a new recording, but a re-issue of the recording released after the festival, though there's nothing on the front or back of the CD indicating this (I didn't get a chance to see the liner notes). But the amazing quality of the music certainly makes the re-issue worthwhile. Listen to this lovely little Largo which open the G major Sonata a tre:



This disc has been on more than a few times since I first heard it a few weeks ago. Along with only one other disc (of sacred music that I'll mention later) I've now heard nearly the entirety of the composer's discography*, and I must say I'm a big fan. Gnocchi was a close contemporary of Vivaldi, with whom he shares a dramatic flair as well as the infectious, lilting rhythms that make one think of Carnival time. But Brescia is close to the Romagna as well as Venice, and the more heart-on-one's-sleeve sentimentality of the followers of Arcangelo Corelli comes to mind in this emotional music.

I commend to you all this disc of sacred music by Gnocchi: Musica Sacra Per Le Chiese Di Brescia, by Coro Claudio Monteverdi di Crema and Ensemble Pian and Forte, released in 2010. It's not available on Amazon.com or Spotify, but you can listen at the Naxos Music Library. Sacred music is where the composer put by far the bulk of his energies, and the music is all of the highest calibre.



* I was pleased to see that there's a second recording of the Six Sonata a tre, by Martin Jopp and Main-Barockorchester Frankfurt, on Aeolus in 2016. I haven't heard it yet, but it's on my radar!

This album will be released on April 5, 2019.

O.K., I've managed to get right to the end without making anything of Don Pietro's name, but here is a great article from BBC Good Food: "Top 10 ways to serve gnocchi":



Squash & goat's cheese is an addictive combination, and this colourful dish is sure to become a family favourite. Just stick the squash in the oven, boil your gnocchi, combine and serve.

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