Reviews and occasional notes on classical music
Reviews and occasional notes on classical music
"Music, both vocall and instrumental, so good, so delectable, so rare, so admirable, so super excellent, that it did even ravish and stupifie all those strangers that never heard the like." - Thomas Coryat, after hearing 3 hours of music at the Scuola di San Rocco in Venice, 1608.
"Music, both vocall and instrumental, so good, so delectable, so rare, so admirable, so super excellent, that it did even ravish and stupifie all those strangers that never heard the like." - Thomas Coryat, after hearing 3 hours of music at the Scuola di San Rocco in Venice, 1608.
Tuesday, March 12, 2019
Tender and mellow music from Vienna
Baroque Consolation: Sacred Arias at the Imperial Viennese Court
I took a great deal of consolation myself from this fine collection of sacred arias and organ works from the Habsburg Court in Vienna. The composers include Caldara, Fux, Pachelbel and Muffat, along with some more obscure names, such as Conti, two different Zianis, and the Emperor Joseph I (obscure, to be sure, as a composer, though less so as an Emperor). Sarah Van Mol is an effective communicator of tender and triumphant arias from cantatas and oratorios, while Bart Rodyns provides textural variety with organ works by Pachelbel, Froberger and Muffat. Wim Becu conducts the brass group Oltremontano, adding his own baroque trombone to the mix. The mellow brass gives this music a unique sound that places it in its own time and place.
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