Under the direction of Giovanni Antonini, the Kammerorchester Basel performs three middle-period Haydn Symphonies - numbers 61, 66 and 69 - with a special bonus for the youngsters out there. This is the 12th release in the wonderful Haydn 2032 series from Alpha; only 10 more years of these records until the project is complete and we can break out the cake with 300 candles for Papa Haydn!
This is a fun disc from start to finish. To be sure, in these symphonies Joseph Haydn makes use of the common tropes of the international galant style, but he always puts his own stamp on his symphonies. At this point in his career Haydn does not stray far from the galant schemata, but he conceals within them a complex and cunningly wrought art that seems effortless.
Giovanni Antonini is taking the long view of this immense series of symphonies; he has planned each album's program with care, taking into account the long arc of a great musical career as well as each hour and twenty minute segment. He's plucked three joyful works from 1775-76 to contrast with the more dramatic and erudite group in the 11th disc (which I reviewed here). The sense of fun is palpable in these performances; Antonini and his band are obviously enjoying playing this music, & that's immediately communicated to the listener.
Joseph Haydn's younger brother Michael has written a small kitsch masterpiece in his Toy Symphony, and it receives a spirited performance here. There are parts written for various toy instruments, from trumpet, drum and triangle to ratchet, quail, organ hens and cuckoo. The result is a splendid noise:
I was curious about the bird sounds, so I ran the symphony through the Merlin Bird ID app from The Cornell Lab of Ornithology. I was pleased to see that there was no fooling the Merlin algorithm; it heard no actual birds. As Susan Sontag says in her "Notes on Camp",
"All camp objects, and persons, contain a large element of artifice. Nothing in nature can be campy."
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