Reviews and occasional notes on classical music

Reviews and occasional notes on classical music

"Music, both vocall and instrumental, so good, so delectable, so rare, so admirable, so super excellent, that it did even ravish and stupifie all those strangers that never heard the like." - Thomas Coryat, after hearing 3 hours of music at the Scuola di San Rocco in Venice, 1608.

Showing posts with label Abel. Show all posts
Showing posts with label Abel. Show all posts

Friday, April 12, 2019

The International Style in 18th Century Music


Jet Set!: works by Abel, Reichardt, Zelter, Mozart, Storace and Paisiello

From 14th century Gothic cathedrals to early 20th century skyscrapers, there have been International Styles in the arts, as the nobility and then multi-national corporations vied for the best artists, architects and composers from around the world, who influenced each other and created new styles through cross-fertilization. Simon Murphy's latest theme album tells the story of 18th century musicians as if they were from the mid-20th century Golden Age of Travel: "classical glitterati" going to the musical capitals of Europe to show off their wares.



This is stylish programme design and very clever marketing, but it would mean nothing without top-class musical values, and we have that here in spades. First of all, the music itself, full of rarities, and even a number of recording premieres, is of very high quality. Sure, the aria from Mozart's Marriage of Figaro does stand out a bit, but the symphonies, concertos and arias here are always interesting and occasionally quite brilliant. And Murphy manages the transitions from the 18th century to the 21st, with various stops in the 20th century along the way, with verve, panache, and finely modulated levels of style. A simply wonderful time!

Wednesday, March 1, 2017

A fun hour of pleasant music



Way back in 1998 Michael Schneider and La Stagione Frankfurt recorded Carl Friedrich Abel's op. 10 Symphonies of 1771 for CPO, and now they're back for more, with the 1769 Op. 7 set, due to be released on April 7, 2017. The op. 10 symphonies are the epitome of the galant style, with infectious rhythms and pleasing surprises; you get more of the same with op. 7. The real difference is that everyone's understanding of what Historically Informed Performance means for mid- to late-18th century music has evolved in the past couple of decades. There's a new freedom here, a freshness and energy that wasn't there to the same degree in the past. Sure, there's more than a bit of the generic about this music, but it's a sound I happen to like. Themes and passages have a way of repeating, perhaps more so in op. 7 than in the more personal and individualized symphonies of op. 10. But this is a fun hour of pleasant music.