A pleasure you suffer

Villa-Lobos: Suite populaire bresilienne; Scriabin:  Prelude pour la main gauche; Ponce: Sonata #3; Takemitsu: Equinox; Sor: Fantaisie Elégiaque

In Paris est une solitude peuplée Judicael Perroy has put together a fascinating group of pieces for the classical guitar, played with style and precision. It's a program of moods, with a focus on the beautifully melancholic, that nostalgic enjoyment one takes in the sad sounds of a lost past. The Portuguese, and especially the Brazilians, have the term saudade, which Manuel de Melo has called "a pleasure you suffer, an ailment you enjoy." Villa-Lobos's Suite populaire Bresilienne is layered with these feelings. Already when the composer put pen to paper he was remembering an earlier time of street musicians from his father's generation and his childhood. When he added the final movement, the Chorinho, in 1923, there was a new modernist, Parisian layer to the music and an additional layer of sadness and regret. Perroy plays Villa's 1948 revision of this music; the composer was always polishing his early music. I've been listening to this beautiful music for many years, and especially since I began the Villa-Lobos Website nearly 25 years ago, so listening to this fresh sounding version evokes all of the dozens of versions - Kraft, Zanon, Barrueco, Turibio Santos, Leisner, Assad - that I've come to love. The rest of the album continues on a pensive note, with a fine miniature based on a Scriabin work for piano left hand. Works by Ponce, Takemitsu and Sor round out this well-planned, nicely presented and beautifully played album. It's due to be released on September 1st, 2017.

This review has also been posted at The Villa-Lobos Magazine.

A multi-cultural dance

Adapting a string quartet for string orchestra is analogous to "opening up" a play to make a film. When it's done well both the adapters and the actors can take a lot of credit. Think of Edward Albee's Who's Afraid of Virginia Woolf. The success of the film is due in equal measure to a great screenplay by Ernest Lehman, great direction by Mike Nichols, and amazing acting by an ensemble of movie stars. We have a similar situation in this fine new disc from Linn Records: one of the great String Quartets, by Debussy, is adapted by Jonathan Morton, and then Morton leads the fine string players of the Scottish Ensemble in a superb performance. Two things are key here: firstly Morton loses none of Debussy's instrumental colour by homogenizing the string lines, and secondly the players are beautifully in sync with each other while still giving that "opened up" feeling. This is a successful adaptation that rewards repeated listening with new insights into the beauty of Debussy's composition and the sound of violins, violas, cellos and basses playing together.

Speaking of film, one of my favourite works for string orchestra is Toru Takemitsu's 1987 work Nostalghia (In Memory of Andrei Tarkovsky). Though Takemitsu wrote a great deal of film score music (including two additional works on this disc), this piece is not from the great film, though it wouldn't be out of place there. Tarkovsky rather used music from works such as Beethoven's 9th Symphony and Verdi's Requiem. It's an amazing film, and Takemitsu's work is a heart-felt hommage.



As to the rest of this album, everything is at this very high level of passionate music making. The alternating Debussy and Takemitsu pieces are a kind of multi-cultural dance where each composer illuminates the other. A triumph from Scotland!