Reviews and occasional notes on classical music
Reviews and occasional notes on classical music
"Music, both vocall and instrumental, so good, so delectable, so rare, so admirable, so super excellent, that it did even ravish and stupifie all those strangers that never heard the like." - Thomas Coryat, after hearing 3 hours of music at the Scuola di San Rocco in Venice, 1608.
"Music, both vocall and instrumental, so good, so delectable, so rare, so admirable, so super excellent, that it did even ravish and stupifie all those strangers that never heard the like." - Thomas Coryat, after hearing 3 hours of music at the Scuola di San Rocco in Venice, 1608.
Tuesday, August 1, 2017
Precision, style and passion
Milhaud: String Trio, Sonatine a Trois; Martinu: String Trios no. 1 & 2
Darius Milhaud and Bohuslav Martinu have the same approach to chamber music as Heitor Villa-Lobos: folklore provides the raw material, while popular music influences and 1920s Parisian modernism add spice, but all three set their music within the classical and pre-classical models of Haydn and Bach. The fine musicians of the Berlin-based Jacques Thibaud String Trio have their antennae up for all of these nuances of musical style, and provide an integrated experience in which passion is as important as precision and style. I've been listening to a string of String Trios lately. There's something about leaving the second violin behind that opens up many composers - Schoenberg, Roussel, Gideon Klein and Villa-Lobos are some I'm thinking of besides Milhaud and Martinu - to open, honest emotion, leaving behind theatrics and sentimentality. This is a perfectly balanced project, a disc filled with amazing music by a special group of musicians.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment