Reviews and occasional notes on classical music

Reviews and occasional notes on classical music

"Music, both vocall and instrumental, so good, so delectable, so rare, so admirable, so super excellent, that it did even ravish and stupifie all those strangers that never heard the like." - Thomas Coryat, after hearing 3 hours of music at the Scuola di San Rocco in Venice, 1608.

Thursday, September 27, 2018

Fresh and lively Schubert



Now that Historically Informed Practices are closer to the mainstream of classical music one is less likely to come across a surprisingly different performance, even of early 19th century works, but here we are with a completely re-thought album of Schubert's symphonies. René Jacobs and the B'Rock Orchestra present the freshest and most lively Schubert I've heard in a long time; the cobwebs are gone, the light is let in, and one can hear the most interesting musical connections to different genres of operatic, orchestral and popular music, and especially to the carnival traditions of Vienna. Jacobs provides a long essay that breaks down each movement in the two symphonies, the First from 1813, and the Sixth from 1817-18. Reading it is like watching an expert restorer of Old Master paintings. He shows more than musicological expertise, though; he makes a convincing case for presenting the finale of the Sixth Symphony as Schubert's musical depiction of a procession from the Carnival.

Rudoph Ackermann. Characters in the Grand Fancy Ball Given by the British Ambassador Sir Henry Wellesley
at Vienna, at the Conclusion of the Carnival 1826
In an extraordinary passage, Jacobs illustrates the music by referring to a great painting, now in the J. Paul Getty Museum, by the Belgian James Ensor (René Jacobs and the B'Rock Orchestra hail from Ghent):
James Ensor’s monumental 1888 painting ‘The Entry of Christ into Brussels’ comes very close to the “meaning” of this final movement as I see it: Christ, although placed at the centre of the huge picture, is a small, lonely, sad figure, almost drowning in a sea of ugly masks and guises. It’s carnival time, and the little Christ is Ensor himself... I wonder if behind the many exuberant notes of this movement, a small, lonely and sad Franz Schubert is hiding.


All the musical and cultural insights into this music are impressive indeed. That along with the outstanding performance of the players of the B'Rock Orchestra makes this a special release indeed.

This album will be released on November 2, 2018.

No comments:

Post a Comment