Reviews and occasional notes on classical music

Reviews and occasional notes on classical music

"Music, both vocall and instrumental, so good, so delectable, so rare, so admirable, so super excellent, that it did even ravish and stupifie all those strangers that never heard the like." - Thomas Coryat, after hearing 3 hours of music at the Scuola di San Rocco in Venice, 1608.

Wednesday, July 31, 2019

A perfect American pops concert in Vienna


2019 Sommernachts Konzert: music by Bernstein, Johann Strauss II, Gershwin, Max Steiner, Sousa, Barber, Ziehrer, Dvorak, Copland

Gustavo Dudamel has chosen a great program for an American-themed Sommernachts Konzert with the Vienna Philharmonic Orchestra. Like every great pops concert, this has something for everyone. The Candide Overture of Leonard Bernstein is a great opener; it still sounds fresh after hearing it so many times during last year's Centennial. And it sounds absolutely fabulous as played by this great orchestra. That, by the way, goes for the entire 70 minutes of this CD. Other highlights for me include the 8-minute suite from Casablanca, prepared, I believe by the composer Max Steiner. The suite begins with the great Warner Brothers Fanfare, which is probably Steiner's greatest work. Steiner's own, relatively modest, atmospheric music for the film is soon forgotten every time the two great non-Steiner songs appear: La Marseillaise and Herman Hupfeld's As Time Goes By. Umberto Eco's summary of Casablanca applies very much to this musical pastiche:
It is a hodgepodge of sensational scenes strung together implausibly; its characters are psychologically incredible, its actors act in a manneristic way. Nevertheless, it is a great example of cinematic discourse, a palimpsest for the future students of twentieth-century religiosity, a paramount laboratory for semiotic research in textual strategies.
If I were choosing an American-themed pops concert, I would have kept going with this movie theme; Dudamel has done such a great job over the years presenting the music of John Williams, Bernard Herrmann, and other great film composers. But there are fine pieces from the concert repertoire as well: Samuel Barber's Adagio for Strings sounds predictably sumptuous when played by the Vienna string players, and it provides a serious centre of gravitas in the middle of the program. An American work with a central European flavour is a natural for this venue: Antonin Dvorak's New World Symphony. And if there's not enough star power with just The Dude, how about Yuja Wang playing a vivid, sparkling Gershwin Rhapsody in Blue?

Of course, you can't have a Sommernachts Konzert without some waltzes. Dudamel leads the orchestra (or do they lead him?) in two fetching works by Johann Strauss II and Carl Michael Ziehrer. A final encore of Aaron Copland's Hoe-Down from Rodeo ties things up with a red-white-and-blue ribbon. This was fun! Bravo to these fine musicians.



This disc will be released on August 16, 2019

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